$1180

A soft, less machined brand of modernism first arose in the United States in the 1930s and it was aimed at simplifying life by comfortably modernizing it. Our Bantam Collection, which builds in comfort across the entire surface of each piece, takes its inspiration from this period while taking advantage of more recent technical advances. Influenced by the furnishings of Edward J. Wormley, the Bantam Armchair delivers supreme physical comfort as well as aesthetic pleasure. Made in U.S.A.

$3000

Matthew Hilton designed the Cross Credenza (2007) as a material and visual complement to his Cross Extension Table. But its straightforward aesthetic and solid craftsmanship make it an apt choice not only for the dining room, but also for media storage or the front hall. The Credenza has three drawers on the left, the topmost being slimmer than the others, sized for cutlery or utensils. Two doors on the right open onto two shelves which are height-adjustable to suit individual needs. With a solid oak frame, the Cross Credenza is finished with oak veneer and soft-closing hardware.

$948 - $1378

For people who are partial to two-handle faucets, but like the clean look of a single-hole sink mount, Philippe Starck provided a solution with this 1998 design. Clear in its function and simple in its effect, the Axor Starck Collection was designed by Starck for Hansgrohe, a supplier of kitchen and bath products since 1901. Axor Starck Faucets have been installed in contract and residential projects worldwide, including YOO Apartments in New York, and Santiago Calatrava’s Turning Torso skyscraper in Malmö, Sweden. A pop-up drain assembly is included. Made in Germany by Hansgrohe.

$7,692.00 - $15,794.00

The consummate modernist chandelier, Poul Henningsen's Artichoke Lamp (1958) is composed of layers of overlapping "leaves," which produce crisp, glare-free light from 360 degrees. Each leaf is laser-cut for precision and is configured by hand. The Artichoke is aptly suited to a dining room, entryway or reception desk. Manufactured in Denmark by Louis Poulsen. UL- listed. Bulb (not included): Incandescent 200W/120V/E26/A21.

$135

Heather Dalrymple has been weaving her own baskets in the Shaker style for the last two decades. Her Woven Pet Bed uses a traditional weave to create an organic, dome-like shape, which offers a cozy haven for cats and small dogs.

Dinner Plates (Set of 4)  $90

The Grand Lodge Dinnerware evokes a bygone time when genuine china and white linen were used on a daily basis (did you bring your kid gloves?). Not just for special occasions, this classic and durable set can be used for every meal. Each piece features a small painted tepee – which coordinates nicely with the DWR: Tools for Living Tepee (sold separately).

$1899 - $2349

When Charles and Ray Eames designed the Eames Aluminum Management Chair and Side Chair (1958), they created a revolution in seating that has lost none of its edge. These chairs were originally developed as a special project for a private residence being designed by Eero Saarinen and Alexander Girard. Moving away from the Eameses’ shell forms of the 1940s, the designers combined a newly affordable aluminum frame with a sling seat that subtly conforms to the body's shape. This original is an authentic, fully licensed product of Herman Miller®, Inc. Eames is a licensed trademark of Herman Miller.

$3000 - $3500

The upholstered Reve Bed (1996) brings soft texture and warm color into the bedroom. The padded, slipcovered headboard is tall and precisely angled to provide a comfortable backrest when reading or watching TV. The side and foot rails are also padded and upholstered, and all of the slipcovers are removable for dry cleaning. Solid beech slats reinforced with rubber form the sturdy platform, and castors underneath the headboard allow for easy mobility. Recessed steel legs prevent midnight toe stubbing. A machine-washable, cotton headboard protector is included. The platform is delivered in manageable pieces for easy maneuvering through doors and hallways. The Reve Bed is compatible with our Sonno and Be Well Mattresses. To update the look of an existing Reve Bed, additional slipcovers can be purchased separately. Assembly required. Made in Canada.

$6106

Florence Knoll Bassett almost single-handedly defined the look of modern corporate interiors in the 1950s and ’60s, as founder and director of the Knoll Planning Unit, the space-planning arm of Knoll® Associates. She looked at furniture design as just one aspect of her “total design” approach to interiors. “I did it because I needed a piece of furniture for a job and it wasn’t there, so I designed it,” she said. She wasn’t the only one who needed the Florence Knoll Credenza (1961), though, as it has been in constant production since its introduction. The simple, refined design has a white Arabescato top (the same marble used on the Saarinen Pedestal Table) and ebonized oak wood veneers, and is appropriate for a dining room, living room or office space.

$11 - $1740

Sculptor and designer Sebastian Wrong demonstrates his flair for bold, minimalist forms in the Spun Floor Lamp (2001) for Flos. Made entirely of satiny, machined-smooth aluminum, the lamps feature high-gloss finishes for maximum dramatic impact. Fluid pedestal bases stabilize the design. A full range, on-cord dimmer provides 0-100% luminosity. Bulb (included): Halogen 250W/120V/E26/T10.

$500 - $3000

Three simple shapes of solid walnut come together to make a sturdy geometric base for the Piana Table (1981). The large-scaled tempered-glass top creates a material contrast to the warmth and heaviness of the base. Combined, they create a striking dining surface that makes a grand statement and can be paired with chairs of virtually any style, modern or traditional. Piana’s base uses no hardware, solid walnut dowels and wenge inserts hold the crossbeam firmly in place. The .5-inch glass top has radiused corners to soften the angles. Piana can also be used for an executive desk for the modern workspace. Rubber pads on the base cushion the glass top.

$930

While most mirrors occupy a single plane of space, the Four Seasons Mirror is presented dramatically in three dimensions. Inset in a nearly 5" deep wenge-stained ash box frame, the mirror face is echoed by four smaller mirrors along the box's interior perimeter. This provides an unusual degree of visual complexity, as multiple planes of space are subtly refracted without disturbing the large, placid mirror surface. Adding an architectural touch to a room or commercial space, the Four Seasons can be hung vertically or horizontally.